{"id":172193,"date":"2015-12-24T16:23:19","date_gmt":"2015-12-24T16:23:19","guid":{"rendered":"https:\/\/www.meydan.tv\/article\/bu-movzunu-baglamisam\/"},"modified":"2015-12-24T16:23:19","modified_gmt":"2015-12-24T16:23:19","slug":"bu-movzunu-baglamisam","status":"publish","type":"post","link":"https:\/\/www.meydan.tv\/az\/article\/bu-movzunu-baglamisam\/","title":{"rendered":"Bu m\u00f6vzunu ba\u011flam\u0131\u015fam"},"content":{"rendered":"
\n \"\"
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\n \"\"
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\n Kino t\u0259nqidi hans\u0131 funksiyan\u0131 yerin\u0259 yetirir? Rejissorlar\u0131 niy\u0259 bu q\u0259d\u0259r sinirl\u0259ndirir? \u00dcmumiyy\u0259tl\u0259, o, n\u0259y\u0259 laz\u0131md\u0131? Kino t\u0259nqidinin kinonun inki\u015faf\u0131na bir t\u0259siri varm\u0131? Varsa, bu t\u0259sir nec\u0259 bir t\u0259sirdir?\n<\/p>\n

\n
\n \u201cT\u0259nqidin m\u0259qs\u0259di \u2013 filml\u0259rin interpretasiyas\u0131 v\u0259 \u201ckinematoqrafik proses\u201d adland\u0131rd\u0131\u011f\u0131m\u0131z m\u00fcc\u0259rr\u0259d konstruksiyaya inteqrasiyas\u0131d\u0131. Bu, kinoda g\u00f6rd\u00fckl\u0259rimiz\u0259 anlam verm\u0259k c\u0259hdidi. V\u0259 bu c\u0259hd xaotik al\u0259md\u0259 m\u0259na v\u0259 nizam axtaran insanlar\u0131n t\u0259l\u0259batlar\u0131n\u0131 \u00f6d\u0259yir. M\u0259d\u0259niyy\u0259t \u00f6zl\u00fcy\u00fcnd\u0259 d\u00fcnyan\u0131 t\u0259qdimetm\u0259nin, daha do\u011frusu, varolu\u015fumuzdak\u0131 xaosu nizamlama\u011f\u0131n bir formas\u0131d\u0131\u00bb.
\n <\/i>\n<\/p>\n

\n Bunlar filoloq, filosof, m\u0259\u015fhur rus v\u0259 amerikan kino\u015f\u00fcnas\u0131 v\u0259 inc\u0259s\u0259n\u0259t n\u0259z\u0259riyy\u0259\u00e7isi
\n
\n Mixail Yampolski
\n <\/b>
\n nin \u201cKino t\u0259nqidi n\u0259dir?\u201d m\u0259qal\u0259sind\u0259ndir. Burda \u201ct\u0259nqid\u00e7i-t\u0259nqid\u201d s\u00f6z\u00fc dar m\u0259nada ba\u015fa d\u00fc\u015f\u00fclm\u0259m\u0259lidir. Yani h\u0259r hans\u0131 s\u0259n\u0259t \u0259s\u0259rind\u0259 yaln\u0131z v\u0259 yaln\u0131z q\u00fcsurlar axtaran insan dem\u0259k deyil. T\u0259nqid\u00e7i t\u0259hlil v\u0259 analiz ed\u0259ndir. O a\u011f p\u0259rd\u0259d\u0259, s\u0259hn\u0259d\u0259 ba\u015f ver\u0259nl\u0259ri, m\u00fc\u0259llifin m\u00fcxt\u0259lif obrazlarla, r\u0259mzl\u0259rl\u0259 kodla\u015fd\u0131rd\u0131\u011f\u0131 fikirl\u0259rini tama\u015fa\u00e7\u0131lara daha sad\u0259 \u015f\u0259kild\u0259 \u00e7atd\u0131rand\u0131r. Bu zaman \u00f6z intellektual bazas\u0131ndan, t\u0259x\u0259yy\u00fcl\u00fcnd\u0259n yararland\u0131\u011f\u0131ndan tama\u015fa\u00e7\u0131ya \u00f6t\u00fcrd\u00fcy\u00fc informasiya da h\u0259min bazan\u0131n imkanlar\u0131 \u00e7\u0259r\u00e7iv\u0259sind\u0259 olur.\n<\/p>\n

\n M.Yampolski t\u0259nqidi iki tip\u0259 ay\u0131r\u0131r: bunlardan biri f\u0259ls\u0259fi, dig\u0259ri pe\u015f\u0259kar t\u0259nqiddir: \u00ab
\n
\n Pe\u015f\u0259kar t\u0259nqid filmin spesifik b\u0259dii formalar\u0131n\u0131n interpretasiyas\u0131na meyllidi. Onu montaj, s\u0259s, t\u0259hkiy\u0259, t\u0259svirin keyfiyy\u0259ti, aktyor oyunu, o c\u00fcml\u0259d\u0259n, kinoistehsalat\u0131n iqtisadi amill\u0259rin\u0259 q\u0259d\u0259r h\u0259r \u015fey narahat el\u0259yir. F\u0259ls\u0259fi t\u0259nqid is\u0259 h\u0259r \u015feyd\u0259n \u0259vv\u0259l filmin d\u00fcnyan\u0131 nec\u0259 \u0259ks etdirdiyi il\u0259, insani m\u00fcnasib\u0259tl\u0259rl\u0259 maraqlan\u0131r. \u018flb\u0259tt\u0259, bu o dem\u0259k deyil ki, onlar birl\u0259\u015f\u0259 v\u0259 eyni m\u0259tnin i\u00e7indi ola bilm\u0259zl\u0259r. H\u0259tta m\u0259n bunu ideal variant hesab el\u0259yir\u0259m. T\u0259nqidi tipl\u0259r\u0259 b\u00f6l\u0259rk\u0259n m\u0259n yaln\u0131z dominantlardan dan\u0131\u015f\u0131ram\u00bb
\n <\/i>
\n .\n<\/p>\n

\n 60-c\u0131 ill\u0259rd\u0259 frans\u0131z kinot\u0259nqid\u00e7il\u0259ri \u00fc\u00e7\u00fcnc\u00fc tipi d\u0259 m\u00fc\u0259yy\u0259nl\u0259\u015fdirmi\u015fdil\u0259r: bu, elmi t\u0259nqid idi. Bu t\u0259nqdi n\u00f6v\u00fc, m\u00fc\u0259yy\u0259n ekran \u0259s\u0259rl\u0259ri bar\u0259d\u0259 m\u0259qal\u0259l\u0259ri deyil. kinonun n\u0259z\u0259ri tendensiyalar\u0131n\u0131n ara\u015fd\u0131r\u0131lmas\u0131, yenil\u0259rinin yarad\u0131lmas\u0131n\u0131 n\u0259z\u0259rd\u0259 tuturdu. Bunun da ad\u0131 \u2013 kino\u015f\u00fcnasl\u0131qd\u0131r.\n<\/p>\n

\n T\u0259nqidin kinonun inki\u015faf\u0131na , filml\u0259rin keyfiyy\u0259tin\u0259 t\u0259siri dan\u0131lmazd\u0131r. Amerikal\u0131 kino t\u0259nqid\u00e7isi
\n
\n Qerald Piri
\n <\/b>
\n nin dediyi kimi, bu g\u00fcn insanlar\u0131n \u0259ks\u0259r yax\u015f\u0131 filml\u0259rd\u0259n x\u0259b\u0259r tutma\u011f\u0131 \u0259dal\u0259tli t\u0259nqidin xidm\u0259tidir. M\u00fcxt\u0259lif s\u0259b\u0259bl\u0259r\u0259 g\u00f6r\u0259, yax\u015f\u0131 filml\u0259rin \u0259ks\u0259riyy\u0259ti yet\u0259rinc\u0259 reklam olunmur. Bel\u0259 hallarda tama\u015fa\u00e7\u0131n\u0131 kinoteatra g\u00f6nd\u0259rm\u0259yin \u0259n yax\u015f\u0131 yolu, kinom\u0259hsullara veril\u0259n obyektiv qiym\u0259tdir.\n<\/p>\n

\n Bizim t\u0259cr\u00fcb\u0259miz
\n
\n Q.Piri
\n <\/b>
\n nin fikrini t\u0259sdiql\u0259yir.\n<\/p>\n

\n 2000-ci ill\u0259rd\u0259 art\u0131q milli kinomuz \u201c\u00f6lm\u00fc\u015fd\u00fc\u201d. O ill\u0259rd\u0259 n\u0259\u015fr olunan
\n
\n \u201cKino+\u201d
\n <\/b>
\n q\u0259zetind\u0259, daha sonra fasil\u0259l\u0259rl\u0259 \u00e7\u0131xan
\n
\n \u201cFokus\u201d
\n <\/b>
\n kino jurnal\u0131nda d\u0259rc olunan t\u0259nqidi m\u0259qal\u0259l\u0259r kino \u00e7evr\u0259mizi bir q\u0259d\u0259r dir\u00e7\u0259ltdi.
\n
\n \u201cKino+\u201d
\n <\/b>
\n q\u0259zeti f\u0259aliyy\u0259t\u0259 ba\u015flayandan c\u0259mi bir il sonra g\u0259nc rejissorlar d\u0259yirmi masa arxas\u0131nda topla\u015faraq m\u00fczakir\u0259l\u0259r apar\u0131rd\u0131lar,
\n
\n M\u0259d\u0259niyy\u0259t v\u0259 Turizm nazirliyi
\n <\/b>
\n g\u0259ncl\u0259rin \u00f6z bacar\u0131qlar\u0131n\u0131 g\u00f6st\u0259rm\u0259yin\u0259 f\u00fcrs\u0259t verm\u0259k m\u0259qs\u0259dil\u0259 \u201cBu meydan, bu ekran\u201d q\u0131sametrajl\u0131 film layih\u0259sin\u0259 ba\u015flad\u0131. \u00c7oxdan kamera arxas\u0131na ke\u00e7m\u0259y\u0259n rejissorlar arzular\u0131na \u00e7atd\u0131lar, bir-birinin ard\u0131nca
\n
\n \u201cEv\u201d(Asif R\u00fcst\u0259mov), \u201cD\u00fcy\u00fcn\u201d (\u018fli \u0130sa Cabbarov), \u201c40-c\u0131 qap\u0131\u201d(El\u00e7in Musao\u011flu), \u201cQala\u201d (\u015eamil N\u0259c\u0259fzad\u0259), \u201cNiyy\u0259t\u201d(Samir K\u0259rimo\u011flu)
\n <\/b>
\n v\u0259 sair filml\u0259r \u00e7\u0259kildi, prod\u00fcser m\u0259rk\u0259zl\u0259rinin say\u0131 artd\u0131.\n <\/div>\n<\/p>\n

\n Amma bilinm\u0259y\u0259n s\u0259b\u0259bl\u0259rd\u0259n
\n
\n \u201cKino+\u201d
\n <\/b>
\n ba\u011fland\u0131. Bununla da prosesl\u0259rin s\u00fcr\u0259ti azald\u0131. Sonra is\u0259 bu hadis\u0259l\u0259r tamam dayand\u0131. \u0130stehsal olunan ekran \u0259s\u0259rl\u0259ri bir d\u0259f\u0259 n\u00fcmayi\u015f olunr. Sonra \u00a0r\u0259fl\u0259r\u0259 toz bas\u0131r bu lentl\u0259ri. El\u0259 filml\u0259r var ki, bizim ancaq adlar\u0131ndan, istehsalatda olduqlar\u0131ndan x\u0259b\u0259rimiz var. K\u0259s\u0259si, Az\u0259rbaycanda kinematoqrafiya yen\u0259 d\u0259 inc\u0259s\u0259n\u0259tin \u0259n m\u00fch\u00fcm n\u00f6vl\u0259rind\u0259n biri deyil. Sanki, \u201cbizd\u0259 d\u0259 kino var\u201d dem\u0259k \u00fc\u00e7\u00fcnd\u00fcr.\n<\/p>\n

\n Yuxar\u0131da adlar\u0131 \u00e7\u0259kil\u0259n n\u0259\u015frl\u0259r kinonu formada saxlay\u0131rd\u0131. Kinonun \u0259h\u0259miyy\u0259tini vur\u011fulam\u0131\u015f olurdu. \u0130ndi onlar yoxdur. Odur ki, inc\u0259s\u0259n\u0259tin bu n\u00f6v\u00fc bar\u0259d\u0259 prosesl\u0259r x\u0259b\u0259r saytlar\u0131n\u0131n k\u00fcnc\u00fcnd\u0259, ani oxunur, sonra da unudulur. Bir s\u00f6zl\u0259, kinematoqrafiya c\u0259miyy\u0259tin diqq\u0259tind\u0259n gizl\u0259dilib.\n<\/p>\n

\n M\u0259d\u0259niyy\u0259t v\u0259 \u0130nc\u0259s\u0259n\u0259t Universiteti ild\u0259 iyirmiy\u0259 yax\u0131n t\u0259l\u0259b\u0259y\u0259 kino\u015f\u00fcnas diplomu verir. Halbuki, bu i\u015fl\u0259 m\u0259\u015f\u011ful olan g\u0259ncl\u0259r, dem\u0259k olar ki, yoxdur. \u201cKino\u015f\u00fcnas\u201d dey\u0259nd\u0259 a\u011fla g\u0259l\u0259n ilk v\u0259 t\u0259k ad\u0131n sahibi
\n
\n Ayaz Salayev
\n <\/b>
\n \u201cm\u0259nd\u0259n Az\u0259rbaycan kinosu haqq\u0131nda he\u00e7 n\u0259 soru\u015fmay\u0131n\u201d deyir. Yerli filml\u0259r haqq\u0131nda resenziya yazanlar\u0131 barmaqla saymaq m\u00fcmk\u00fcnd\u00fcr. Bu adamlar\u0131n da yazd\u0131qlar\u0131n\u0131n kino prosesin\u0259 t\u0259siri s\u0131f\u0131ra b\u0259rab\u0259rdir.\n<\/p>\n

\n Yegan\u0259 maliyy\u0259 m\u0259nb\u0259yi d\u00f6vl\u0259t olan kinomuzda r\u0259qab\u0259t\u0259 yer yoxdu. D\u00f6vl\u0259t yaln\u0131z \u00f6z m\u0259nafeyin\u0259 uy\u011fun layih\u0259l\u0259ri maliyy\u0259l\u0259\u015fdirir. Rejissorslara film veril\u0259nd\u0259 keyfiyy\u0259t yox, ictimai m\u00f6vqeyi n\u0259z\u0259r\u0259 al\u0131n\u0131r. Halbuki r\u0259qab\u0259t, \u00f6z\u00fcn\u0259ironiya bacar\u0131\u011f\u0131, t\u0259nqid inki\u015faf\u0131n t\u0259kanverici amill\u0259rind\u0259ndi. V\u0259 \u201ct\u0259nqidsiz m\u0259d\u0259niyy\u0259t yoxsulla\u015f\u0131r, inki\u015fafdan qal\u0131r. T\u0259nqidin b\u00f6hran\u0131 birba\u015fa m\u0259d\u0259niyy\u0259tin iflas\u0131na g\u0259tirib \u00e7\u0131xar\u0131r\u00bb
\n
\n (M.Yampolski)
\n <\/b>
\n .\n<\/p>\n

\n Rejissor
\n
\n Andrey Zvyaqintsev
\n <\/b>
\n t\u0259nqidl\u0259 ba\u011fl\u0131 suallara h\u0259mi\u015f\u0259 eyni cavab\u0131 verir: \u201cs\u0259n\u0259tkardan t\u0259nqid\u00e7i haqq\u0131nda soru\u015fmaq f\u0259n\u0259r dir\u0259yind\u0259n k\u00f6p\u0259kl\u0259r haqq\u0131nda soru\u015fma\u011fa b\u0259rab\u0259rdi\u201d. Ard\u0131nca,s ya da bu c\u00fcml\u0259d\u0259n \u0259vv\u0259l m\u00fctl\u0259q q\u0131sa bir izahat da olur: \u201cM\u0259nim orqanizmim el\u0259 qurulub ki, t\u0259nqid\u0259 \u00e7ox a\u011fr\u0131l\u0131 reaksiya verir\u0259m. 2003-c\u00fc ild\u0259 \u201cQay\u0131d\u0131\u015f\u201d filmi ciddi t\u0259nqidl\u0259r\u0259 m\u0259ruz qalanda q\u0259rara g\u0259ldim ki, bir d\u0259 bel\u0259 yaz\u0131lar\u0131 oxumayacam. T\u0259nqid\u00e7il\u0259rd\u0259n konstruktiv t\u0259klifl\u0259r e\u015fitmir\u0259m, m\u0259ni qidaland\u0131ra bil\u0259c\u0259k he\u00e7 n\u0259 g\u00f6rm\u00fcr\u0259m. Odur ki, bu m\u00f6vzunu \u00f6z\u00fcm \u00fc\u00e7\u00fcn ba\u011flam\u0131\u015fam.\u201d\n <\/div>\n<\/p>\n

<\/div>\n<\/p>\n

\n
\n Yaz\u0131 m\u00fc\u0259llifin \u015f\u0259xsi m\u00f6vqeyini \u0259ks etdirir…
\n <\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

M\u0259nd\u0259n bu bar\u0259d\u0259 soru\u015fmay\u0131n<\/p>\n","protected":false},"author":11,"featured_media":42753,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_sitemap_exclude":false,"_sitemap_priority":"","_sitemap_frequency":"","footnotes":""},"categories":[57],"tags":[],"class_list":["post-172193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-menim-fikrimce","infinite-scroll-item","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33","no-featured-image-padding"],"acf":[],"yoast_head":"\nBu m\u00f6vzunu ba\u011flam\u0131\u015fam - MEYDAN.TV<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.meydan.tv\/az\/article\/bu-movzunu-baglamisam\/\" \/>\n<meta property=\"og:locale\" content=\"az_AZ\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bu m\u00f6vzunu ba\u011flam\u0131\u015fam - 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