{"id":163202,"date":"2014-02-02T11:45:51","date_gmt":"2014-02-02T11:45:51","guid":{"rendered":"https:\/\/www.meydan.tv\/article\/cineman-film-resenziyalari-hefte-1\/"},"modified":"2014-02-02T11:45:51","modified_gmt":"2014-02-02T11:45:51","slug":"cineman-film-resenziyalari-hefte-1","status":"publish","type":"post","link":"https:\/\/www.meydan.tv\/az\/article\/cineman-film-resenziyalari-hefte-1\/","title":{"rendered":"CinemAN Film Resenziyalar\u0131 – H\u0259ft\u0259 1"},"content":{"rendered":"
\n \"\"
<\/figcaption><\/figure>\n
\n \"\"
<\/figcaption><\/figure>\n

\n
\n Silver Linings Playbook
\n <\/b>
\n \u2013\u00a0Birl\u0259\u015fmi\u015f \u015etatlar, 2012\n<\/p>\n

\n
\n Rejissor, yaz\u0131\u00e7\u0131: David O. Russell
\n <\/i>\n<\/p>\n

\n
\n Matthew Quick-in \u0259s\u0259ri \u0259sas\u0131nda \u00e7\u0259kilib.
\n <\/i>\n<\/p>\n

\n
\n Rollarda: Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jacki Weaver, Chris Tucker, John Ortiz, Julia Stiles v\u0259 ba\u015fqalar\u0131.
\n <\/i>\n<\/p>\n

\n Aylarla mental t\u0259sisatda (ruhi x\u0259st\u0259xanada) olduqdan sonra bipolyar pozuntu x\u0259st\u0259liyi il\u0259 diaqnoz edilmi\u015f Pat Solitano (Cooper) valideynl\u0259rinin yan\u0131na k\u00f6\u00e7\u00fcr. O, ar\u0131qlamas\u0131ndan v\u0259 m\u00f6vcud durumunun \u00f6hd\u0259sind\u0259n g\u0259lm\u0259k \u00fc\u00e7\u00fcn m\u00fcxt\u0259lif strategiyalar haz\u0131rlad\u0131qdan sonra (filmin ad\u0131 el\u0259 buradan \u0259m\u0259l\u0259 g\u0259lib), yolda\u015f\u0131 il\u0259 bar\u0131\u015fmaqda q\u0259tiyy\u0259tlidir.\n<\/p>\n

\n Normal v\u0259ziyy\u0259t\u0259 d\u00f6n\u00fc\u015f\u00fc il\u0259 emosional dola\u015f\u0131ql\u0131q ortas\u0131nda Pat el\u0259 \u00f6z\u00fc kimi d\u0259lisov, \u00a0h\u0259m d\u0259 g\u00f6z\u0259l dul Tiffany (Lawrence) il\u0259 tan\u0131\u015f olur.\n<\/p>\n

\n \u0130\u00e7imd\u0259 olan sentimentalist b\u00fct\u00fcn f\u0259rqlilik v\u0259 ox\u015faql\u0131qlar\u0131na baxmayaraq, g\u00f6z\u0259l v\u0259 eyni zamanda d\u0259lisov insanlar\u0131n bir-birin\u0259 yax\u0131nla\u015fmas\u0131n\u0131 izl\u0259m\u0259kd\u0259n z\u00f6vq ald\u0131. S\u00fcjetin \u0259vv\u0259lc\u0259d\u0259n bilinm\u0259si is\u0259, m\u0259ni biraz filmd\u0259n uzaqla\u015fd\u0131rd\u0131. M\u00fcnaqi\u015f\u0259l\u0259r, n\u0259tic\u0259l\u0259r v\u0259 sonluq \u2013 burada he\u00e7 bir s\u00fcrpriz g\u00f6zl\u0259m\u0259yin.\n<\/p>\n

\n Personajlar detallara q\u0259d\u0259r z\u0259ngindirl\u0259r: Pat, g\u00fcnd\u0259lik qa\u00e7\u0131\u015flar\u0131 zaman\u0131 t\u0259rl\u0259m\u0259k \u00fc\u00e7\u00fcn sviterin\u0259 zibil torbasl ba\u011flay\u0131r ki, bu da onun m\u00f6vcud v\u0259ziyy\u0259tin\u0259 metafora, v\u0259 ya he\u00e7n\u0259d\u0259n ayr\u0131la bilm\u0259m\u0259si kimi g\u00f6r\u00fcn\u00fcrd\u00fc. Onun atas\u0131, Pat Sr. (De Niro) is\u0259 kompulsiv davran\u0131\u015f v\u0259 q\u0259z\u0259b probleml\u0259ri il\u0259 olan insan\u0131n bariz n\u00fcmun\u0259sidir, v\u0259 bu da \u00e7oxdan tan\u0131d\u0131\u011f\u0131m\u0131z De Niro oynunu biraz yad\u0131m\u0131za sald\u0131. S\u00f6z d\u00fc\u015fm\u00fc\u015fk\u0259n, aktyorlar g\u00f6z\u0259l ifa n\u00fcmayi\u015f etdir\u0259r\u0259k film\u0259 toplam d\u00f6rd ba\u015f v\u0259 d\u0259st\u0259k rollar\u0131 \u00fc\u00e7\u00fcn Oskar m\u00fckafat\u0131 namiz\u0259dliyini qazand\u0131rd\u0131lar.\n<\/p>\n

\n Ruhi x\u0259st\u0259lik \u0259h\u0259miyy\u0259tsizl\u0259\u015fdirilmi\u015f v\u0259 baya\u011f\u0131la\u015fd\u0131r\u0131lm\u0131\u015f kimi g\u00f6st\u0259rils\u0259 d\u0259, bu normal v\u0259 qeyri-normal aras\u0131nda olan nazik x\u0259tti t\u0259svi etm\u0259k \u00fc\u00e7\u00fcn m\u0259qs\u0259d\u0259uy\u011fun \u015f\u0259kild\u0259 edl\u0259 bil\u0259rdi. Ax\u0131, Solitano ail\u0259sind\u0259 al\u0259mi bir-birin\u0259 qatan el\u0259 Pat Sr.-d\u0131r, v\u0259 oyun vaxt\u0131 dava salan d\u0259 el\u0259 normal az\u0259rke\u015fl\u0259rdir. H\u0259tta d\u0259rin depressiyas\u0131 olan Pat-\u0131n \u0259n yax\u0131n dostu Ronnie (Ortiz) d\u0259 normal insan kimi t\u0259qdim olunub.\n<\/p>\n

\n H\u0259rd\u0259n Pat v\u0259 Tiffany-nin yax\u0131nla\u015fmas\u0131 \u00f6z axar\u0131 il\u0259 ged\u0259n sevgi v\u0259 r\u0259\u011fb\u0259t m\u00fcnasib\u0259tl\u0259rind\u0259n \u00e7ox, yax\u015f\u0131 planla\u015fd\u0131r\u0131lm\u0131\u015f s\u00fcjet kimi g\u00f6rs\u0259nirdi. \u00dcmumilikd\u0259, film\u0259 baxa-baxa fikirl\u0259\u015firdim ki, g\u0259r\u0259k birinci kitab\u0131n\u0131 oxuyard\u0131m. El\u0259 t\u0259\u0259ss\u00fcrat yaran\u0131rd\u0131 ki, el\u0259 bil s\u00fcjetin b\u00f6y\u00fck hiss\u0259si qeyb olub.\n<\/p>\n

\n
\n Z\u00f6vq\u00fcn\u00fcn xatirin\u0259 bax\/
\n
\n Bax
\n <\/b>
\n \/ \u00d6z\u00fcn bax \/ Baxma
\n <\/i>\n<\/p>\n

\n
\n T\u0259nha, k\u0259d\u0259rli v\u0259 ya x\u0259st\u0259 olanda.
\n <\/i>\n<\/p>\n<\/p>\n

\n \"\"
<\/figcaption><\/figure>\n

\n
\n The Best Exotic Marigold Hotel
\n <\/b>
\n \u00a0\u2013 Birl\u0259\u015fmi\u015f Krall\u0131q, 2011\n<\/p>\n

\n
\n Rejissor: John Madden
\n <\/i>\n<\/p>\n

\n
\n Ssenari m\u00fc\u0259llifi: Ol Parker
\n <\/i>\n<\/p>\n

\n
\n Deborah Moggach-\u0131n
\n <\/i>
\n
\n \u0259s\u0259ri \u0259sas\u0131nda \u00e7\u0259kilib.
\n <\/i>\n<\/p>\n

\n
\n Rollarda: Judy Dench, Bill Nighy, Maggie Smith, Tom Wilkinson, Dev Patel v\u0259 ba\u015fqalar\u0131.
\n <\/i>\n<\/p>\n

\n Yeddi ya\u015fl\u0131 Britaniyal\u0131 m\u00fcxt\u0259lif s\u0259b\u0259bl\u0259r\u0259 g\u00f6r\u0259 Hindistana s\u0259yah\u0259t edirl\u0259r v\u0259 yalandan reklamda t\u0259z\u0259 t\u0259mir edilmi\u015f kimi g\u00f6st\u0259rilmi\u015f Best Exotic Marigold Hotel mehmanxanas\u0131nda yerl\u0259\u015firl\u0259r. Onlar t\u0259dric\u0259n bir-biril\u0259ri v\u0259 mehmanxan\u0131n eksentrik, amma eyni zamanda nikbin meneceri Sonny (Patel) il\u0259 yax\u0131n m\u00fcnasib\u0259tl\u0259r qururlar, v\u0259 bir-birl\u0259rin\u0259 \u00e7\u0259tin vaxtlar\u0131ndan ke\u00e7m\u0259y\u0259 k\u00f6m\u0259k edirl\u0259r.\n<\/p>\n

\n Onu dey\u0259 bil\u0259r\u0259m ki, he\u00e7 d\u0259 b\u00fct\u00fcn filml\u0259r ald\u0131\u011f\u0131 reytinql\u0259r\u0259 layiq deyil. Fikrimc\u0259, The Best Exotic Marigold Hotel d\u0259 bu misallardand\u0131r.\n<\/p>\n

\n \u018fla aktyorlar, v\u0259 h\u0259tta aralar\u0131nda \u0259n \u00e7ox xo\u015flad\u0131\u011f\u0131m aktyorlar\u0131n olmas\u0131na baxmayaraq, kinoda g\u00fccl\u00fc s\u00fcjet v\u0259 yax\u015f\u0131 yaz\u0131lm\u0131\u015f dialoqlar \u00e7at\u0131\u015fm\u0131r. S\u00fcjet uzan\u0131r v\u0259 yava\u015f gedir, v\u0259 aktyorlar v\u0259 Hindistan\u0131n \u00f6z\u00fc olmasayd\u0131 hardasa filmin ortalar\u0131nda kanal\u0131 d\u0259yi\u015f\u0259c\u0259kdim.\n<\/p>\n

\n S\u00fcjet \u0259vv\u0259lc\u0259d\u0259n t\u0259xmin oluna bilir. Graham-\u0131n (Wilkinson) h\u0259kay\u0259si xo\u015fuma g\u0259ldi, amma o da adam\u0131 a\u011flatd\u0131rdan s\u00fcjet d\u00f6n\u00fc\u015fl\u0259ri il\u0259 h\u0259r \u015feyi korlad\u0131.\n<\/p>\n

\n Bel\u0259 r\u0259ngar\u0259ng s\u0259hn\u0259 v\u0259 aktyorlarla z\u0259ngin olan film bayram kimi bir \u015fey olmal\u0131 idi, ancaq n\u0259tic\u0259d\u0259 cans\u0131z personajlar\u0131 olan orta-babat romantik komediya al\u0131nd\u0131.\n<\/p>\n

\n
\n Z\u00f6vq\u00fcn\u00fcn xatirin\u0259 bax\/ Bax \/
\n
\n \u00d6z\u00fcn bax
\n <\/b>
\n \/ Baxma
\n <\/i>\n<\/p>\n

\n
\n Orta ya\u015f krizisi filml\u0259ri olmayanda v\u0259 Eat, Pray, Love filmind\u0259n bez\u0259nd\u0259.
\n <\/i>\n<\/p>\n

\n <\/i>\n<\/p>\n

\n \"\"
<\/figcaption><\/figure>\n

\n
\n The Artist
\n <\/b>
\n \u00a0\u2013 Fransa, 2011\n<\/p>\n

\n
\n Rejissor v\u0259 yaz\u0131\u00e7\u0131: Michel Hazanavicius
\n <\/i>\n<\/p>\n

\n
\n Rollarda: Jean Dujardin, Berenice Bejo, John Goodman, James Cromwell, Penelope Ann Miller v\u0259 ba\u015fqalar\u0131.
\n <\/i>\n<\/p>\n

\n S\u0259ssiz kino ulduzu olan George Valentin (Dujardin) m\u0259\u015fhurlu\u011fundan z\u00f6vq al\u0131r, film ard\u0131nca film\u0259 \u00e7\u0259kilir, p\u0259r\u0259sti\u015fkarlar\u0131 v\u0259 Hollywood-a h\u0259l\u0259 t\u0259z\u0259 g\u0259l\u0259n Peppy Miller (Bejo) kimil\u0259r t\u0259r\u0259find\u0259n sevilir. Ancaq \u201ctalkies\u201d adlanan s\u0259sli kino bazara \u00e7\u0131xandan sonra, onun karyeras\u0131 a\u015fa\u011f\u0131ya do\u011fru gedir. Lakin, \u00f6z\u00fc bilm\u0259s\u0259 d\u0259 onun qoruyan m\u0259l\u0259yi varm\u0131\u015f.\n<\/p>\n

\n Valehedicidir! He\u00e7vaxt t\u0259s\u0259vv\u00fcr etm\u0259mi\u015fdim ki,1930-lardan sonra \u00e7\u0259kil\u0259n s\u0259ssiz kinolar\u0131 sev\u0259 bil\u0259r\u0259m. Ancaq sevdim v\u0259 he\u00e7 bir pe\u015fman\u00e7\u0131l\u0131\u011f\u0131m da yoxdur.\n<\/p>\n

\n Dujardin s\u0259n\u0259tkar oldu\u011funu s\u00fcbut edir \u2013 o, ancaq mimikas\u0131n\u0131n k\u00f6m\u0259yi il\u0259 oynaya bilir, 30-lar\u0131n ulduzu kimi g\u00fcl\u0259 v\u0259 g\u00fcman ed\u0259 bilm\u0259y\u0259c\u0259yiniz \u015f\u0259kild\u0259 r\u0259qs ed\u0259 bilir. Onun haqq\u0131nda h\u0259r\u015fey adama l\u0259zz\u0259t verir: h\u0259r\u0259k\u0259ti, dan\u0131\u015f\u0131\u011f\u0131, q\u0259sd\u0259n art\u0131qlamas\u0131 il\u0259 oynamas\u0131, ya da \u0259fsan\u0259vi teatr ifas\u0131 n\u00fcmayi\u015f etdirm\u0259si. M\u00fck\u0259mm\u0259l v\u0259 c\u0259zbedici g\u00fcl\u00fc\u015f\u00fc il\u0259 ekrandan i\u015f\u0131q sa\u00e7an Bejo da g\u00f6r\u00fcn\u00fcr a\u011f-qara filml\u0259r \u00fc\u00e7\u00fcn yarad\u0131l\u0131b. Onlar\u0131n, deyil\u0259n\u0259 g\u00f6r\u0259, be\u015f ay \u0259rzind\u0259 h\u0259r g\u00fcn m\u0259\u015fq etdikl\u0259ri r\u0259qsi g\u00f6z\u0259l v\u0259 eyl\u0259ndirici bir s\u0259hn\u0259 idi.\n<\/p>\n

\n C\u0259mi 35 g\u00fcn \u0259rzind\u0259 \u00e7\u0259kil\u0259n film texniki c\u0259h\u0259td\u0259n d\u0259 \u0259lad\u0131r. Birincisi, IMDB.com-a \u0259sas\u0259n ad\u0259t\u0259n filml\u0259rd\u0259 i\u015fl\u0259dil\u0259n saniy\u0259d\u0259 24 kadr \u0259v\u0259zin\u0259, film saniy\u0259d\u0259 22 kadr il\u0259 \u00e7\u0259kilib ki, bu da film\u0259 tez v\u0259 eyni zamanda k\u00f6hn\u0259 kinolara b\u0259nz\u0259r bir temp verir (m\u0259s\u0259l\u0259n, 1900-c\u0131 ill\u0259rin \u0259vv\u0259lind\u0259n s\u0259ssiz filml\u0259r saniy\u0259d\u0259 16 kadrla \u00e7\u0259kilib v\u0259 ona g\u00f6r\u0259 d\u0259 h\u0259min filml\u0259rd\u0259 h\u0259r\u0259k\u0259t tez v\u0259 daha komik idi). 1920-30-cu ill\u0259rd\u0259 yax\u0131nla\u015fd\u0131rma (zoom) funksiyas\u0131 olmad\u0131\u0131na g\u00f6r\u0259 bu filmd\u0259 d\u0259 ondan istifad\u0259 olunmay\u0131b.\n<\/p>\n

\n The Artist kimi filml\u0259r m\u0259n\u0259 filml\u0259ri n\u0259 \u00fc\u00e7\u00fcn v\u0259 n\u0259 q\u0259d\u0259r sevdiyimi xat\u0131rlad\u0131r.\n<\/p>\n

\n
\n
\n Z\u00f6vq\u00fcn\u00fcn xatirin\u0259 bax
\n <\/b>
\n <\/i>
\n
\n \/ Bax \/\u00a0 \u00d6z\u00fcn bax \/ Baxma.
\n <\/i>\n<\/p>\n

\n
\n G\u00f6z\u0259l bir \u015fey g\u00f6rm\u0259k ist\u0259y\u0259nd\u0259 bax.
\n <\/i>\n<\/p>\n

\n <\/i>\n<\/p>\n

\n \"\"
<\/figcaption><\/figure>\n

\n
\n Caramel
\n <\/b>
\n (Sukkar Banat)\u00a0– Livan, 2007\n<\/p>\n

\n
\n Rejissor: Nadine Labaki
\n <\/i>\n<\/p>\n

\n
\n Rollarda: Nadine Labaki, Joanna Moukarzel, Gis\u00e8le Aouad, Sihame Haddad\u00a0v\u0259 ba\u015fqalar\u0131.
\n <\/i>\n<\/p>\n

\n Be\u015f livanl\u0131 qad\u0131n adi \u015feyl\u0259rl\u0259 dolan\u0131rlar: evli ki\u015fil\u0259r, bakir\u0259lik, bo\u011fulmu\u015f seksuall\u0131q, ya\u015flanma v\u0259 itirilmi\u015f m\u0259h\u0259bb\u0259t. Onlar\u0131n h\u0259yat\u0131 \u00fc\u00e7\u00fcn\u00fcn i\u015fl\u0259diyi g\u00f6z\u0259llik salonunda ke\u00e7ir. Bu salon ist\u0259nil\u0259n sirrin payla\u015f\u0131ld\u0131\u011f\u0131 v\u0259 ist\u0259nil\u0259n problemin h\u0259ll olundu\u011fu bir adaya \u00e7evrilir.\n<\/p>\n

\n \u015e\u00fcbh\u0259 edir\u0259m el\u0259 bir kino olsun ki, Caramel-in xat\u0131rlatd\u0131\u011f\u0131 q\u0259d\u0259r m\u0259n\u0259 evimi (yurdumu) xat\u0131rlats\u0131n. Biz \u015f\u0259rq qad\u0131nlar\u0131 \u00fc\u00e7\u00fcn g\u00f6z\u0259llik salonu ancaq xidm\u0259t almaq yeri deyil, bu daha \u00e7ox bir m\u0259d\u0259niyy\u0259tdir. El\u0259 bir yerdir ki, biz orada ki\u015fil\u0259rd\u0259n v\u0259 probleml\u0259rd\u0259n qurtulur, dig\u0259r qad\u0131nlarla \u00fcnsiyy\u0259t yarad\u0131r\u0131q. Ora \u00e7ox s\u0259sli, xaotik v\u0259 bas\u0131r\u0131q olsa da, terapiya m\u00fcalic\u0259si kimi vacibdir. H\u0259qiqi b\u0259d\u0259nl\u0259ri olan h\u0259qiqi qad\u0131nlar\u0131n epilasiya\u00e7\u0131 qad\u0131na sirl\u0259rini a\u00e7d\u0131qlar\u0131, sa\u00e7 ustas\u0131 il\u0259 qeyb\u0259t q\u0131rma\u011fa v\u0259 ail\u0259l\u0259rind\u0259n manik\u00fcr\u00e7\u00fc qad\u0131na \u015fikay\u0259t etdikl\u0259ri m\u00fcq\u0259dd\u0259s bir yerdir. Bu bizim kils\u0259dir, safla\u015fma yerimizdir, v\u0259 \u00f6z\u00fc ba\u015f rolda \u00e7\u0259kil\u0259n rejissor Nadine Labaki bunlar\u0131 g\u00f6st\u0259rm\u0259k \u00f6hd\u0259sind\u0259n layiqinc\u0259 g\u0259ldi.\n<\/p>\n

\n Filmd\u0259 Yax\u0131n \u015e\u0259rq feminizmin\u0259 h\u0259sr olunmu\u015f q\u0259sid\u0259 g\u00f6zl\u0259m\u0259yin \u2013 bu film sizin h\u00fcquqlar\u0131n\u0131z \u00fc\u00e7\u00fcn sava\u015fmayacaq, sizin \u00fc\u00e7\u00fcn d\u0259yi\u015fiklik t\u0259l\u0259b etm\u0259y\u0259c\u0259k. Daha \u00e7ox Almodovar stilind\u0259 bir sakitlik v\u0259 q\u0259buletm\u0259 ba\u011f\u0131\u015flayacaq siz\u0259. Bu da yet\u0259rind\u0259n d\u0259 art\u0131qd\u0131r.\n<\/p>\n

\n Caramel m\u0259nim \u0259n sevdiyim ikinci kino tipidir \u2013 x\u00fcsusi m\u00f6vzu yoxdur, y\u0259ni h\u0259yat\u0131n bir hiss\u0259sin\u0131 t\u0259qdim etm\u0259kl\u0259 \u00f6z\u00fcm\u00fcz\u0259 q\u0131raqdan baxmaq imkan\u0131 verir. Sizin yeriniz\u0259 dey\u0259 bilm\u0259r\u0259m, ancaq m\u0259n g\u00f6zl\u0259diyimd\u0259n \u00e7ox g\u00f6rd\u00fcm.\n<\/p>\n

\n \u00d6z evimi g\u00f6rd\u00fcm bu filmd\u0259.\n<\/p>\n

\n
\n Z\u00f6vq\u00fcn\u00fcn xatirin\u0259 bax\/
\n
\n Bax
\n <\/b>
\n \/ \u00d6z\u00fcn bax \/ Baxma
\n <\/i>\n<\/p>\n

\n
\n Yax\u0131n \u015e\u0259rq \u00fc\u00e7\u00fcn dar\u0131xanda, v\u0259 ya \u00f6z\u00fcn\u00fc qad\u0131ncas\u0131na hiss ed\u0259nd\u0259, v\u0259 ya h\u0259r ikisi.
\n <\/i>\n<\/p>\n

\n <\/i>\n<\/p>\n

\n \"\"
<\/figcaption><\/figure>\n

\n
\n No
\n <\/b>
\n <\/b>
\n –\u00a0\u00c7ili, 2012\n<\/p>\n

\n
\n Rejissor: Pablo Larrain
\n <\/i>\n<\/p>\n

\n
\n Rollarda: Gabriel Garcia Bernal, Alfredo Castro, Antonia Zegers v\u0259 ba\u015fqalar\u0131.
\n <\/i>\n<\/p>\n

\n 1988-ci ild\u0259 diktator general Avqusto Pino\u00e7et beyn\u0259lxalq icmadan t\u0259zyiql\u0259rl\u0259 \u00fczl\u0259\u015fir ki, insanlar\u0131n m\u00f6vcud h\u00f6kmdar\u0131 saxlay\u0131b-saxlamamaq q\u0259rar\u0131n\u0131 verm\u0259si \u00fc\u00e7\u00fcn referendum ke\u00e7irsin. Referendum iki kampaniya il\u0259 ke\u00e7di \u2013 Pino\u00e7et t\u0259f\u0259rdarlar\u0131 \u00fc\u00e7\u00fcn \u201cH\u0259\u201d, onun \u0259leyhidarlar\u0131 \u00fc\u00e7\u00fcn is\u0259 \u201cYox\u201d. Reklam agentliyinin icra\u00e7\u0131s\u0131 Rene Saavedra (Bernal) \u201cYox\u201d kampaniyas\u0131 \u00fc\u00e7\u00fcn yeni konsepsiya fikirl\u0259\u015fir.\n<\/p>\n

\n Siz, \u0259halinin b\u00f6y\u00fck hiss\u0259sinin yoxsulluqda ya\u015fayark\u0259n r\u0259hb\u0259rin mediya t\u0259r\u0259find\u0259n t\u0259rif edildiyi \u00f6lk\u0259d\u0259 ya\u015fay\u0131rs\u0131n\u0131z? N\u0259 vaxtsa maraqlanm\u0131s\u0131n\u0131z niy\u0259 insanlar buna d\u00f6z\u00fcr v\u0259 dan\u0131\u015fmaqdan bel\u0259 qorxur? N\u0259 vaxtsa d\u0259yi\u015fiklik g\u0259tirm\u0259y\u0259 \u00e7al\u0131\u015fm\u0131s\u0131n\u0131z? Suallara h\u0259, ya yox dem\u0259yinizd\u0259n as\u0131l\u0131 olmayaraq, bu film sizin \u00fc\u00e7\u00fcnd\u00fcr.\n<\/p>\n

\n \u00a0\u201cYox\u201d, Mad Men-in d\u0259bd\u0259 olmas\u0131ndan \u0259vv\u0259l olan Mad Men-dir. Rene-nin i\u015fi insanlara ancaq onlara laz\u0131m olmayan m\u0259hsul satmaqdan ibar\u0259t deyil. \u018fslind\u0259 h\u0259r \u015fey daha m\u00fcr\u0259kk\u0259bdir \u2013 o, b\u00fct\u00fcn mill\u0259tin\u0259 s\u00f6z azadl\u0131\u011f\u0131, m\u0259rh\u0259m\u0259t v\u0259 daha yax\u015f\u0131 h\u0259yat ideyalar\u0131n\u0131 sat\u0131r. O, bu i\u015f\u0259 \u00e7ox a\u011f\u0131ll\u0131 \u015f\u0259kild\u0259 yana\u015fmal\u0131d\u0131r \u2013 \u00e7ox k\u0259d\u0259rli v\u0259 ya aqressiv olmayan bir \u015fey fikirl\u0259\u015fm\u0259lidir: n\u00fcmayi\u015fl\u0259rin da\u011f\u0131d\u0131lmas\u0131 \u0259v\u0259zin\u0259 s\u0259hn\u0259l\u0259\u015fdirilmi\u015f g\u00fcl\u00fc\u015fl\u0259rl\u0259 dolu video g\u00f6st\u0259rir. O bilir ki, xo\u015fb\u0259xtlik axtar\u0131\u015f\u0131 q\u0259z\u0259b v\u0259 \u0259lacs\u0131zl\u0131qdan daha yax\u015f\u0131d\u0131r.\n<\/p>\n

\n Bu filmin kinematoqrafiyas\u0131 inan\u0131lmazd\u0131r. Film U-matic 3:4 video d\u0259st\u0259yi il\u0259 \u00e7\u0259kilib ki, bu da film\u0259 t\u0259sirli v\u0259 realistik m\u0259nz\u0259r\u0259 verib. Bu film, 80-l\u0259rin geyim v\u0259 sa\u00e7 d\u00fcz\u00fcml\u0259ri il\u0259 bir yerd\u0259 sizi h\u0259min eraya qaytaracaq v\u0259 nostalgiya il\u0259 dolu populyar geyim v\u0259 elektronik avadanl\u0131qlar\u0131 xat\u0131rladacaq.\n<\/p>\n

\n Bu film, 2013-c\u00fc ild\u0259 Oskar-\u0131n \u201cXarici dild\u0259 \u0259n yax\u015f\u0131 film\u201d m\u00fckafat\u0131na namiz\u0259d olmu\u015fdur.\n<\/p>\n

\n
\n Z\u00f6vq\u00fcn\u00fcn xatirin\u0259 bax\/
\n
\n Bax
\n <\/b>
\n \/ \u00d6z\u00fcn bax \/ Baxma
\n <\/i>\n<\/p>\n

\n
\n D\u0259yi\u015fiklik g\u0259tirm\u0259k hissi olanda.
\n <\/i>\n<\/p>\n

\n <\/i>\n<\/p>\n

\n \"\"
<\/figcaption><\/figure>\n

\n
\n Enough Said
\n <\/b>
\n \u2013 Birl\u0259\u015fmi\u015f \u015etatlar, 2013\n<\/p>\n

\n
\n Rejissor: Nicole Holofcener
\n <\/i>\n<\/p>\n

\n
\n Rollarda: Julia Louis-Dreyfus, James Gandolfini, Catherine Keener v\u0259 ba\u015fqalar\u0131.
\n <\/i>\n<\/p>\n

\n Orta-ya\u015fl\u0131, bo\u015fanm\u0131\u015f t\u0259k ana olan Eva (Louis-Dreyfus) massaj\u00e7\u0131 i\u015fl\u0259yir, v\u0259 h\u0259yat\u0131n\u0131n h\u0259lledici an\u0131n\u0131 ya\u015famaq \u00fczr\u0259dir \u2013 onun q\u0131z\u0131 kollec\u0259 getm\u0259k \u00fc\u00e7\u00fcn onu t\u0259rk edir. Qonaql\u0131qda ik\u0259n, Eva t\u0259z\u0259 dostu il\u0259 tan\u0131\u015f olur \u2013 Marianne (Keener). o da orta-ya\u015fl\u0131 bo\u015fanm\u0131\u015f qad\u0131nd\u0131r. Eva onunla deyib-g\u00fcld\u00fckd\u0259n sonra, onlar massaj \u00fc\u00e7\u00fcn g\u00f6r\u00fc\u015f vaxt\u0131 t\u0259yin edirl\u0259r. H\u0259min qonaql\u0131qda, o, h\u0259m d\u0259 biraz k\u00f6k v\u0259 s\u0259liq\u0259siz Albert (Gandolfini) il\u0259 tan\u0131\u015f olur, v\u0259 Albert \u00f6z yumor hissinin k\u00f6m\u0259kliyi il\u0259 Eva-n\u0131n r\u0259\u011fb\u0259tini qazan\u0131r. Albert-l\u0259 bir ne\u00e7\u0259 g\u00f6r\u00fc\u015fd\u0259n sonra, Eva onu sevm\u0259y\u0259 ba\u015flad\u0131\u011f\u0131n\u0131 hiss edir, ancaq onun qorxdu\u011fu v\u0259 ehtiyyatland\u0131\u011f\u0131 m\u0259qamlar da var. B\u0259xtind\u0259n, Eva onun ke\u00e7mi\u015f arvad\u0131n\u0131 tan\u0131y\u0131r\u2026\n<\/p>\n

\n Yen\u0259 d\u0259, m\u0259n bu film\u0259 q\u0259r\u0259zli yana\u015fa bil\u0259r\u0259m. Ax\u0131r-\u0259vv\u0259l, bu, Gandolfini-nin ke\u00e7\u0259n il \u0130talyada \u00fcr\u0259ktutmadan v\u0259fat etm\u0259sind\u0259n \u0259vv\u0259l \u00e7\u0259kildiyi sonuncu filml\u0259rind\u0259n biri idi. \u018flav\u0259 olaraq, bu filmd\u0259 o, heyranedici, t\u0259s\u0259lliverici, xo\u015fag\u0259l\u0259n v\u0259 \u00e7ox real al\u0131n\u0131b.\n<\/p>\n

\n M\u0259n he\u00e7vaxt Julia Louis-Dreyfus-un p\u0259r\u0259sti\u015fkar\u0131 olmasam da, o bu filmd\u0259 m\u0259ni h\u0259qiq\u0259t\u0259n d\u0259 s\u00f6z\u00fcn yax\u015f\u0131 m\u0259nas\u0131nda t\u0259\u0259cc\u00fcbl\u0259ndirdi. O, filmd\u0259 qay\u011f\u0131ke\u015f, m\u0259suliyy\u0259tli, v\u0259 eyni zamanda sev\u0259rk\u0259n qarmaqar\u0131\u015f\u0131q yeniyetm\u0259y\u0259 \u00e7evril\u0259n obraz yarada bildi. H\u0259tta sirda\u015f kimi, o, \u00f6z q\u0131z\u0131n\u0131n dostuna etibar edir.\n<\/p>\n

\n Film \u00e7ox komikdir. H\u0259r dialoqun h\u0259r c\u00fcml\u0259si diqq\u0259tl\u0259 d\u00fc\u015f\u00fcn\u00fcl\u00fcb v\u0259 a\u011f\u0131ll\u0131 yumorla z\u0259ngindir. Personajlar v\u0259 onlar\u0131n m\u00fcnasib\u0259tl\u0259ri, z\u0259if v\u0259 g\u00fccl\u00fc t\u0259r\u0259fl\u0259ri il\u0259 birg\u0259 m\u00fcmk\u00fcn oldu\u011fu q\u0259d\u0259r reald\u0131r, \u015eablonlar yoxdur. \u00c7ox h\u0259yatverici v\u0259 h\u0259qiq\u0259t\u0259n romantikdir.\n<\/p>\n

\n
\n Z\u00f6vq\u00fcn\u00fcn xatirin\u0259 bax\/
\n
\n Bax
\n <\/b>
\n \/ \u00d6z\u00fcn bax \/ Baxma
\n <\/i>\n<\/p>\n

\n
\n \u018ftt\u00f6k\u0259n yeniyetm\u0259 dramalar\u0131ndan bez\u0259nd\u0259.
\n <\/i>\n<\/p>\n

\n <\/i>\n<\/p>\n

\n \"\"
<\/figcaption><\/figure>\n

\n
\n No Man\u2019s Land
\n <\/b>
\n \u00a0\u2013 Bosniya v\u0259 Herseqovina, 2001\n<\/p>\n

\n
\n Oskar
\n <\/i>
\n
\n \u0131n
\n <\/i>
\n
\n \u201cXarici dild\u0259 \u0259n yax\u015f\u0131 film\u201d m\u00fckafat\u0131na layiq g\u00f6r\u00fcl\u00fcb – 2002
\n <\/i>\n<\/p>\n

\n
\n Rejissor, yaz\u0131\u00e7\u0131, b\u0259st\u0259kar: Danis Tanovic
\n <\/i>\n<\/p>\n

\n
\n Rollarda: Branco Djuric, Rene Bitorajac, Filip Sovagovic v\u0259 ba\u015fqalar\u0131.
\n <\/i>\n<\/p>\n

\n 1993-c\u00fc ild\u0259 Bosniya m\u00fcharib\u0259si vaxt\u0131 iki \u0259sg\u0259r \u2013 serbiyal\u0131 Nino (Bitorajac) v\u0259 bosniyal\u0131 Ciki (Djuric), c\u0259bh\u0259 x\u0259ttind\u0259 s\u0259ng\u0259rd\u0259 yaralanm\u0131\u015f v\u0259ziyy\u0259td\u0259 ili\u015firl\u0259r. Eyni zamanda, beyn\u0259lxalq s\u00fclhm\u0259raml\u0131lar r\u0259hb\u0259rlikl\u0259rinin yaratd\u0131\u011f\u0131 b\u00fcrokratik \u0259ng\u0259ll\u0259r\u0259 baxmayaraq v\u0259ziyy\u0259td\u0259n \u00e7\u0131x\u0131\u015f yollar\u0131n\u0131 axtar\u0131rlar.\n<\/p>\n

\n Bu film haqda dem\u0259y\u0259 \u00e7ox s\u00f6z\u00fcn\u00fcz olacaq. Ancaq, g\u0259r\u0259k \u0259vv\u0259lc\u0259 dan\u0131\u015fmaq \u00f6z\u00fcn\u00fcz\u0259 qabiliyy\u0259tini qaytaras\u0131n\u0131z ki, dan\u0131\u015fa bil\u0259siniz.\n<\/p>\n

\n \u018fn sevdiyim m\u0259qam odur ki, s\u0259ng\u0259rd\u0259 olan \u0259sg\u0259rl\u0259rd\u0259n ba\u015fqa filmd\u0259 ham\u0131 m\u00fcxt\u0259lif dill\u0259rd\u0259 dan\u0131\u015f\u0131r v\u0259 he\u00e7kim bir-birini anlam\u0131r. Bu, ist\u0259nil\u0259n m\u00fcnaqi\u015f\u0259nin t\u0259sviri deyilmi?\n<\/p>\n

\n Filmd\u0259 s\u0259ng\u0259rin \u00f6z\u00fcnd\u0259 d\u0259 metafora var. Siz m\u00fcnaqi\u015f\u0259d\u0259 b\u00f6y\u00fcm\u00fcs\u00fcn\u00fczs\u0259, v\u0259 ya onlardan birini izl\u0259yirsinizs\u0259, dan\u0131\u015f\u0131qlar\u0131n n\u0259 q\u0259d\u0259r uzun \u00e7\u0259kdiyini, h\u0259r add\u0131m\u0131n n\u0259 q\u0259d\u0259r b\u00fcrokratik v\u0259 korrupsiyala\u015fm\u0131\u015f oldu\u011funu, v\u0259 bunlar\u0131n he\u00e7bir n\u0259tic\u0259 verm\u0259m\u0259sind\u0259n x\u0259b\u0259rdars\u0131n\u0131z. Biz el\u0259 ham\u0131m\u0131z qlobal siyas\u0259tin yaratd\u0131\u011f\u0131 s\u0259ng\u0259rl\u0259rin birind\u0259 olmam\u0131\u015f\u0131q b\u0259y\u0259m?\n<\/p>\n

\n \u018fvv\u0259ll\u0259r m\u00fcharib\u0259 haqq\u0131nda s\u0259n\u0259dli film rejissoru olan Danis Tanovic faci\u0259, \u0259lacs\u0131zl\u0131q v\u0259 \u0259dal\u0259tsizliyin \u0259qid\u0259sizlik i\u015f\u0131\u011f\u0131nda v\u0259 h\u0259zmedici \u015f\u0259kild\u0259, h\u0259tta \u00fcr\u0259yinizd\u0259 lap x\u0131rda hiss\u0259cikl\u0259r\u0259 par\u00e7alanacaq q\u0259d\u0259r t\u0259qdim ed\u0259n dahiyan\u0259 bir i\u015f g\u00f6r\u00fcb.\n<\/p>\n

\n H\u0259r \u00f6l\u00fcm\u00fcn m\u0259nal\u0131 v\u0259 q\u00fcrurlu oldu\u011fu v\u0259 dramatik musiqi il\u0259 m\u00fc\u015fay\u0259t olunan bomba partlay\u0131\u015flar\u0131 il\u0259 dolu m\u0259nz\u0259r\u0259li m\u00fcharib\u0259 s\u0259hn\u0259l\u0259rini g\u00f6zl\u0259m\u0259yin. Bu film real h\u0259yat\u0131n v\u0259 real m\u00fcharib\u0259nin \u0259n g\u00fccl\u00fc sonluqla var oldu\u011fu bir tragikomediyad\u0131r.\n<\/p>\n

\n
\n
\n Z\u00f6vq\u00fcn
\n <\/b>
\n <\/i>
\n
\n
\n \u00fcn
\n <\/b>
\n <\/i>
\n
\n
\n xatirin\u0259 bax
\n <\/b>
\n <\/i>
\n
\n \/ Bax \/ \u00d6z\u00fcn bax \/ Baxma
\n <\/i>\n<\/p>\n

\n
\n Reall\u0131qdan \u00e7ox uzaqla\u015fanda.
\n <\/i>\n<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"

Silver Linings Playbook, The Best Exotic Marigold Hotel, The Artist, Caramel, No, Enough Said, No Man’s Land.<\/p>\n","protected":false},"author":11,"featured_media":5073,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_sitemap_exclude":false,"_sitemap_priority":"","_sitemap_frequency":"","footnotes":""},"categories":[56],"tags":[],"class_list":["post-163202","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-xeberler","infinite-scroll-item","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33","no-featured-image-padding"],"acf":[],"yoast_head":"\nCinemAN Film Resenziyalar\u0131 - H\u0259ft\u0259 1 - MEYDAN.TV<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.meydan.tv\/az\/article\/cineman-film-resenziyalari-hefte-1\/\" \/>\n<meta property=\"og:locale\" content=\"az_AZ\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CinemAN Film Resenziyalar\u0131 - 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